Christopher Hanlon

The range is built around woody, aromatic and floral accords. Oud appears throughout the collection, often placed next to amber, moss and tuberose. These materials form a base that runs from dark and resinous tones to softer floral facets.

Citrus, earthy and fresh spicy notes turn up alongside the core structure, adding brightness and lift to the heavier elements. The result is a set of compositions that move between dry wood and damp earth, between spice and petal. Melbourne Amber Musk sits within this framework, showing how the house pairs amber with aromatic notes. The overall picture is one of contrasts, where resin and flower meet forest floor and bark.